See What I Have Done

Starred review from May 8, 2017
Schmidt’s unforgettable debut brings a legendary American crime to eerie new life. Four narrators recount events surrounding the 1892 murders of Andrew and Abby Borden: Lizzie Borden; her older sister, Emma; and the family’s maid, Bridget Sullivan, are within the Massachusetts home in which the deaths occurred. The fourth, a young man known only as Benjamin, is a stranger to everyone in the family but the sisters’ maternal uncle, who is visiting at the time of the tragedy. Though their interpretations of events differ, all describe roiling tensions. The manipulative, nearly feral Lizzie is forever scarred by her mother’s early death, while Emma longs for an artistic life uncomplicated by her sister’s outsized presence. Their relationship with their father and stepmother is fractured: Andrew Borden is a miserly, abusive man who thinks nothing of beheading the pet pigeons Lizzie loves, and his second wife, Abby, has never gained her stepdaughters’ trust. On August 4, family conflicts erupt in a chain of events that is as intricate as it is violent. Equally compelling as a whodunit, “whydunit,” and historical novel, the book honors known facts yet fearlessly claims its own striking vision. Even before the murders, the Bordens’ cruel, claustrophobic lives are not easy to visit, but from them Schmidt has crafted a profoundly vivid and convincing fictional world. Agent: Dan Lazar, Writers House.

Starred review from June 1, 2017
A fictional reimagining of real-life murders so infamous they earned its alleged perpetrator her own playground rhyme and ax-wielders everywhere a catchy chopping song, even if the killer's guilt was never firmly established.On Aug. 4, 1892, in Fall River, Massachusetts, Andrew Borden and his second wife, Abby, were found butchered in their home, the weapon thought to be an ax, though police never found it. In a dazzling debut novel that is as unsettling as the summer heat that permeates the crime scene, Schmidt alternates the first-person narration among sisters Lizzie and Emma Borden; Bridget, the family's maid; and a mysterious man named Benjamin, whose role doesn't come into focus so much as congeal like drying blood. Tempestuous Lizzie still lives at home with her father and stepmother, whom she calls "Mrs. Borden"; their relationship is strained at best. Older sister Emma, much to Lizzie's dismay, has left Fall River to stay with a friend for a while; the symbiotic relationship between the sisters and their teetering feelings of intense love and loathing fuel much of the novel's emotional fire. Bridget, who sees everything and is seething that Mrs. Borden recently confiscated her savings, is eager to get out of the house--and Schmidt creates such a palpable sense of unease that the reader is, too. Benjamin, a passing acquaintance of the girls' uncle, burns with rage; Schmidt is careful not to lay blame for the murders directly at his feet, though his presence is vital. It's a gamble to focus almost entirely on the day leading up to the murders and the actual day of the crime rather than widening the scope to include Lizzie's well-known trial and eventual acquittal, but it's one that pays off for Schmidt, creating an unusually intimate portrait. There are books about murder and there are books about imploding families; this is the rare novel that seamlessly weaves the two together, asking as many questions as it answers.

COPYRIGHT(2017) Kirkus Reviews, ALL RIGHTS RESERVED.

Starred review from May 1, 2017

DEBUT In this novel from Australian newcomer Schmidt, we are taken inside the delusional mind of accused 19th-century ax murderer Lizzie Borden and also witness the churning interior monologs of her older sister, Emma, and the Bordens' hapless Irish maid, Bridget. We get to inhabit another character as well: a potential hit man named Benjamin, lured in by the sisters' nefarious Uncle John. Schmidt employs some unusual word choices--animals "critter" instead of walk, lamplight "rages." Not surprisingly, the prose is rife with a creepy physicality, its imagery dwelling on skin, blood, fingernails, smells, etc., although readers are spared much of the actual crime's gruesomeness. The heated narrative contributes to the sense of simmering craziness permeating the Borden household. A historical time line of actual events is appended. What better subject for a psychological thriller than one of the most notorious murders in U.S. history, and the mysterious Benjamin adds color and suspense to what might otherwise be a well-worn tale. VERDICT A fresh treatment of Lizzie Borden, highly recommended for mystery and true crime fans and others who like smart, edgy works.--Reba Leiding, emeritus, James Madison Univ. Lib., Harrisonburg, VA

Copyright 2017 Library Journal, LLC Used with permission.

March 15, 2017

On the 125th anniversary of the Lizzie Borden murders, Australian librarian Schmidt's retelling depicts an abusive household that includes a violent father, a mean-spirited stepmother, and two spinster sisters who want out. But was Lizzie responsible for all those whacks with an ax? Film rights sold; one of the Bookseller's 12 hot books for 2017.

Copyright 2017 Library Journal, LLC Used with permission.

May 1, 2017

DEBUT In this novel from Australian newcomer Schmidt, we are taken inside the delusional mind of accused 19th-century ax murderer Lizzie Borden and also witness the churning interior monologs of her older sister, Emma, and the Bordens' hapless Irish maid, Bridget. We get to inhabit another character as well: a potential hit man named Benjamin, lured in by the sisters' nefarious Uncle John. Schmidt employs some unusual word choices--animals "critter" instead of walk, lamplight "rages." Not surprisingly, the prose is rife with a creepy physicality, its imagery dwelling on skin, blood, fingernails, smells, etc., although readers are spared much of the actual crime's gruesomeness. The heated narrative contributes to the sense of simmering craziness permeating the Borden household. A historical time line of actual events is appended. What better subject for a psychological thriller than one of the most notorious murders in U.S. history, and the mysterious Benjamin adds color and suspense to what might otherwise be a well-worn tale. VERDICT A fresh treatment of Lizzie Borden, highly recommended for mystery and true crime fans and others who like smart, edgy works.--Reba Leiding, emeritus, James Madison Univ. Lib., Harrisonburg, VA

Copyright 2017 Library Journal, LLC Used with permission.

February 28, 2017
Like Hannah Kent’s Burial Rites and Laura Elizabeth Woollett’s The Love of a Bad Man, See What I Have Done is based on true crimes committed by women. In 1892, 32-year-old Lizzie Borden was tried and acquitted of the brutal axe murder of her father Andrew Borden and her stepmother Abby. They were murdered in their home in the Massachusetts town of Fall River. Through the voices of the protagonists, Sarah Schmidt constructs a gruesome and disturbing portrait of a pathologically dysfunctional household. There is the cruel and authoritarian father who plays his children off against each other; the ineffectual, neurotic stepmother; the unbalanced, delusional younger daughter; her sister, who is trying to escape; the exploited Irish maid; and a weird, manipulating uncle and his even weirder sidekick. Mix all these together and add the mysterious killings and you get a grand gothic novel reminiscent of its antecedents in American culture such as A Streetcar Named Desire and Who Killed Baby Jane. That it’s done so well and so compellingly by an author from suburban Melbourne makes it all the more surprising. I found it disturbingly confronting—watch out for the mutton broth and the vomit—but couldn’t stop reading it! Mark Rubbo is the managing director of Readings